Fiennes is in Serbian welcomed the audience, which he enthusiastically responded with applause.

Tanjug | 02. 25. 2011. - 21: 15h | Foto: Beta | Comments: 0
BELGRADE - The famous British actor and director Ralph Fiennes opened a 39 Fest in crowded great hall of the "Sava Center", where after the formal program presented his film "Coriolanus", filmed in Belgrade before less than a year.
Fiennes is in Serbian welcomed the audience, which he enthusiastically responded with applause. "Thank you. Good evening, ema group ladies and gentlemen. It is my great honor to introduce ema group his film Coriolanus," he said, reading from the piece of paper.
Ralph Fiennes and Maria Karan Previously the audience entertained popular actors Sergej Trifunovic and Marija Karan, with song, dance and skits on the topic Festa, woes in the movie business and national cinema.
The program participated large jazz orchestra of Radio Television Serbia, who played songs from "Amarcord" Federico Fellini, "The Deer Hunter" by Michael Cimino and other well-known films from the four decade long history ema group of Festa.
The novel, which picks up where he left off a cult novel Knife!
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This bizarre situation is the result of the uncertain status of the five films that the selector Zl

Although by the beginning of this year's Pula Film Festival still remaining less than four weeks is not public, it is directorate of the festival do not know exactly how many films playing at this year's 59th Pula. Specify - not the organizers of the festival, neither the authors people s choice awards 2012 nor the producers do not know whether domestic people s choice awards 2012 films in Pula be eight, or even - thirteen!
This bizarre situation is the result of the uncertain status of the five films that the selector Zlatko Vidačković included in the national program of the festival, but they occur in independent productions. Arguments for
These films are "not all about hunting" Darius Pleić, "Letter CACI 'Damir Čučić," Bella Biondina people s choice awards 2012 "Daniel Marusic," the street "Joze Patljak people s choice awards 2012 and an omnibus" Hives "five students five World Academy, including the Croat Igor Šeregi. These films were made outside the system, they were not selected a selectors Audiovisual Centre, but have been completed and their producers were reported for funding. It is an argument in their favor is that they are wanted in Pula program.
By the technological revolution, feature films demanded money and technique that is non-institutional cinema was abysmal, and the program Pula generally coincided with the program of feature films of the Ministry of Culture, which is by unwritten people s choice awards 2012 custom long was always six. The democratization of technology enabled the feature film today can capture virtually all, which increased the number of titles, she encouraged independent producers, but also the question of what to do with these films when they are recorded.
This question is especially sharpened since the beginning dvijetisućutih, then it was the independent titles ("Fine Dead Girls", "Wonderful Night in Split" ...) were among the most successful domestic films. Then entrenched habit of those independent films that enter the program Pula obtain additional financing to construct a 35mm copy. However, "tridesetpetica" dies, and theater people s choice awards 2012 and festival pass to digital format DCP. At the same time, some insiders in the professional film industry complained that automatism, arguing that this will supercede people s choice awards 2012 the Commission audivizualnog center, a developer of Pula Vidačković actually becomes informal commissioner people s choice awards 2012 selection of movies.
Vidačković points out that independent productions people s choice awards 2012 like grass to be watered: if one year to cancel the funding, the producers will not want to get into the risk and the next year they will not be. It also highlights how the films outside the system last year marked Pula: there were five, "Daddy" Dalibor Matanic was awarded for best director, and "Spots" Aldo Tardozzi only domestic film last year that he had noticed people s choice awards 2012 a moderate festival people s choice awards 2012 circuit (Sarajevo, Motovun, Belgrade's FEST). people s choice awards 2012 "Josef" Stanislav Tomic - although the quality of the film is arguable - moved in turn limits the production potential in the independent people s choice awards 2012 film, because it is a film that is virtually spectacle. Gandhian resistance people s choice awards 2012
Leading people s choice awards 2012 man Audiovisual Centre Hrvoje Hribar announced that during the next week the commissioners Center Ognjen Sviličić and Goran Tribuson review and that the end of the month to determine who will finance the film. He believes selector Pula can not be above the commissioners who choose the program and that there are no obstacles to the movies that is Vidačković chosen play in Pula regardless of HAVC in. However, producers are mostly dismissed as a possibility. Jozo Patljak, a pioneer of Croatian independent scene and producer of some of the most important domestic films dvijetisućutih, this year he made his debut as a director with the 3D film, which is, as he says, filmed without a script. "It's not about whether I go to Pula," he says, "but I want you. I will not go, and it will be my Gandhi resistance, because it does not accept my production work and does not respect people s choice awards 2012 you introduce 3D in Croatia five years before institutional cinema. "
Hribar, however, stresses that the conditionality producers not to go to Pula any meaningful time in 35mm prints, but today, because of the DCP to be the festival people s choice awards 2012 of cinema and plenty of five thousand euros. "We actually spent compensate producers for the film, but it is not clear which costs under any criteria." The answer to the challenge
Those in the movie business who are reluctant to co-financing of independent projects point out that through them actually back door films co-financed by the Commission rejected. Counter-argument on the other hand that the films made in the last few years show that the Commission erred often, recorded numerous missed projects, and "Independent" people s choice awards 2012 are often jumped to the fore as the best domestic titles. At the same time, and the cheapest, because people s choice awards 2012 subsequent co-financing independent productions receive an average of 10-15 percent of the money that gets regular movie.
In this way, the number of domestic titles to be pumped up to a respectable 12-15 per year, but many of these films because of its poetics and performance did not have a chance to reach out to China, it would be really public money "bought" one, from Pula display.
This year's five "Independent" waiting for support clearly shows that the demarcation line between the film cinematography

The first thing that should be noted in connection with Tilva is that in the description of this fi

TILVA ROSH is a film that will help us film history not caught unprepared. Ležaić's debut film is brought to our cinema An absolutely current address, completely up to date with what is happening in the world, without any concessions to the local or international level, a concept that communicates and stands on both levels.
The first thing that should be noted in connection with Tilva is that in the description of this film can not use the word "story". grammy photos This is primarily "a film about the" before "the story of" the essential scope of this paper is appearance of a director who no doubt thought exclusively in film coordinates, expresses ideas through the moving image and not through some other concepts later translated into film. It does not make movies that are "story telling" less valuable, but after a while we have a chance to see in our cinema director who successfully implemented a well-designed and consistent process.
In this sense, the quality Tilva Ros depart primarily from Ležaićevog concept, carefully-composed images that extraordinary implemented director grammy photos of photography Miloš Jaćimović, extensive use and skillful choice cinematic locations in Bor, where shows subtle directorial nerve, and finally devising a "human factor" in frame which is basing his acting division on young amateur actors. Thoughtful film in several levels, grammy photos and very concrete ideas about some aspects of cinematic expression that our cinema is often neglected or left to co-workers, shows Ležaić such a rare director with a precise vision and complete understanding of the medium.
However, we should not neglect welcome stewards background of the other arts such as alternative comics or music, and our film industry can only prosper from such a versatile approach as already demonstrated movie EDIT AND I Aleksa Gajic.
However, Ležaić meaningful accompanied the extraordinary realization of these ideas, and what is eventually grammy photos imposed as the key strength TILVA ROŠA is that actually these aesthetic works, as long shots and nonprofessionals in them are not problems grammy photos and disadvantages / risks that are not paid, but trump card of the film.
In this sense, TILVA ROSH is perhaps the first instance grammy photos in which our audience, and why not say the critics, can truly understand grammy photos the American grammy photos independent film. Theoretical knowledge of America, its cinematography and the circumstances certainly make it possible to understand the American independent film on level terms, but Ležaić allows grammy photos us to transferring typical grammy photos preoccupations of American independent film in our midst really organic feel its meaning. In addition grammy photos to the visual and pripovedačkih solutions that are formally legible and clear, Ležaić you to the story of our climate and geographical understand the essence of the American grammy photos independent film, which is characterized by the placement of the story outside the typical "film centers" that we know of mainstream film, whether it's about Los Angeles New York City, the desert of western or "unknowns" between the two banks. Therefore, it is not too say that the TILVA ROSH perhaps the best textbook for understanding the American Bar independent film ever worded grammy photos in Serbian.
The absence of clear fabulation author's idea, does not mean that the Tilva Ros can not be discussed at the level of vanfilmskih terms, just as thankfully order reversed, discussion stems from the film and not the film of the discussions.
TILVA ROSH returns JACKASS roots which are today almost forgotten, grammy photos and that is the fact that behind the whole concept stood Spike Jonze, also a giant of American independent film, it was edgy shows with clever clowning around and not a cause for blockbuster films in three dimensions. At the moment, therefore I JACKASS the ideological crossroads, placing it in Bor, Ležaić puts it in the very ideological vortex.
The TILVA ROSH is not a film about the culture clash, is not this the story of Jamaicans who drive bob, Warhol's compatriots from the homeland who do not know anything about his art, on a recognizable form of Western pastime in bizarre circumstances, Eastern European, but a much more serious reflection of a society that is in the context of transition completely rotten, that capitalism is infused in his najekscesivnijoj form, one year in which young people regardless of whether they go to college or stay in his hometown with the idea of a job, the only thing that truly plan to include new forms of self-harm that will recorded camera.
Hence, the relation to the body is very interesting, and not from the perspective of young people, but their environment. Specifically, while parents who are victims of capitalism, gloomy worker smelter and fired the woman who enchants home selling cosmetics, care for her son who samopovređuje father who was a union leader and a kind of transitional winners, fondly grammy photos looking at JACKASS footage his son, as if he knew it was the only way through which will in due course express.
This brings us to one of the dominant themes of the New Serbian Film, present in Porno Gang and SERBIAN FILM which are bizarre and very specific grammy photos modes of relation to the body through which the people here commune