The first thing that should be noted in connection with Tilva is that in the description of this fi

TILVA ROSH is a film that will help us film history not caught unprepared. Ležaić's debut film is brought to our cinema An absolutely current address, completely up to date with what is happening in the world, without any concessions to the local or international level, a concept that communicates and stands on both levels.
The first thing that should be noted in connection with Tilva is that in the description of this film can not use the word "story". grammy photos This is primarily "a film about the" before "the story of" the essential scope of this paper is appearance of a director who no doubt thought exclusively in film coordinates, expresses ideas through the moving image and not through some other concepts later translated into film. It does not make movies that are "story telling" less valuable, but after a while we have a chance to see in our cinema director who successfully implemented a well-designed and consistent process.
In this sense, the quality Tilva Ros depart primarily from Ležaićevog concept, carefully-composed images that extraordinary implemented director grammy photos of photography Miloš Jaćimović, extensive use and skillful choice cinematic locations in Bor, where shows subtle directorial nerve, and finally devising a "human factor" in frame which is basing his acting division on young amateur actors. Thoughtful film in several levels, grammy photos and very concrete ideas about some aspects of cinematic expression that our cinema is often neglected or left to co-workers, shows Ležaić such a rare director with a precise vision and complete understanding of the medium.
However, we should not neglect welcome stewards background of the other arts such as alternative comics or music, and our film industry can only prosper from such a versatile approach as already demonstrated movie EDIT AND I Aleksa Gajic.
However, Ležaić meaningful accompanied the extraordinary realization of these ideas, and what is eventually grammy photos imposed as the key strength TILVA ROŠA is that actually these aesthetic works, as long shots and nonprofessionals in them are not problems grammy photos and disadvantages / risks that are not paid, but trump card of the film.
In this sense, TILVA ROSH is perhaps the first instance grammy photos in which our audience, and why not say the critics, can truly understand grammy photos the American grammy photos independent film. Theoretical knowledge of America, its cinematography and the circumstances certainly make it possible to understand the American independent film on level terms, but Ležaić allows grammy photos us to transferring typical grammy photos preoccupations of American independent film in our midst really organic feel its meaning. In addition grammy photos to the visual and pripovedačkih solutions that are formally legible and clear, Ležaić you to the story of our climate and geographical understand the essence of the American grammy photos independent film, which is characterized by the placement of the story outside the typical "film centers" that we know of mainstream film, whether it's about Los Angeles New York City, the desert of western or "unknowns" between the two banks. Therefore, it is not too say that the TILVA ROSH perhaps the best textbook for understanding the American Bar independent film ever worded grammy photos in Serbian.
The absence of clear fabulation author's idea, does not mean that the Tilva Ros can not be discussed at the level of vanfilmskih terms, just as thankfully order reversed, discussion stems from the film and not the film of the discussions.
TILVA ROSH returns JACKASS roots which are today almost forgotten, grammy photos and that is the fact that behind the whole concept stood Spike Jonze, also a giant of American independent film, it was edgy shows with clever clowning around and not a cause for blockbuster films in three dimensions. At the moment, therefore I JACKASS the ideological crossroads, placing it in Bor, Ležaić puts it in the very ideological vortex.
The TILVA ROSH is not a film about the culture clash, is not this the story of Jamaicans who drive bob, Warhol's compatriots from the homeland who do not know anything about his art, on a recognizable form of Western pastime in bizarre circumstances, Eastern European, but a much more serious reflection of a society that is in the context of transition completely rotten, that capitalism is infused in his najekscesivnijoj form, one year in which young people regardless of whether they go to college or stay in his hometown with the idea of a job, the only thing that truly plan to include new forms of self-harm that will recorded camera.
Hence, the relation to the body is very interesting, and not from the perspective of young people, but their environment. Specifically, while parents who are victims of capitalism, gloomy worker smelter and fired the woman who enchants home selling cosmetics, care for her son who samopovređuje father who was a union leader and a kind of transitional winners, fondly grammy photos looking at JACKASS footage his son, as if he knew it was the only way through which will in due course express.
This brings us to one of the dominant themes of the New Serbian Film, present in Porno Gang and SERBIAN FILM which are bizarre and very specific grammy photos modes of relation to the body through which the people here commune