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It was one of the biggest sweeps in Oscar history. The Return of the King , the final chapter in Peter Jackson’s Lord of the Rings trilogy, won all 11 of its nominations. A decade later, that’s absolutely ridiculous. It wasn’t a fair fight for Best Picture, Director or Adapted jlo oscars Screenplay; it was three films against each one of the other nominees. But its complete sweep indicates the Academy in 2004 was either lazy or extremely impressionable. Its wins for Score and Original Song, the former of which Howard Shore had won two years prior, are particularly egregious. Literally every nominee was more deserving. It seems as though voters were just checking boxes every time the film showed up. Had it been nominated for Sound Mixing or Cinematography, it surely would have won those as well. So if we’re only comparing each film on its own merits, Master and Commander is the clear victor here, a grand high seas adventure that has never been attempted again outside the Pirates of the Caribbean franchise. (Though I suppose you could argue this year’s nominee Captain Phillips fits some of the parameters.) That’s only the best of the nominees. jlo oscars The year’s best live-action film was Cold Mountain jlo oscars , which picked up seven nominations but not the one it deserved most. It was sadly snubbed for Best Director, Best Actress and Best Adapted Screenplay jlo oscars as well.
BEST DIRECTOR Sofia Coppola, Lost in Translation Clint Eastwood, Mystic River Peter Jackson, The Lord of the Rings: The Return of the King Fernando Meirelles, jlo oscars City of God Peter Weir, Master and Commander: The Far Side of the World
Again, this wasn’t a fair fight. Had it been, I’d have preferred Peter Weir win for his commanding direction of the film’s action scenes and genuine jlo oscars moments of camaraderie, but also for his outstanding career as one of Australia’s greatest filmmakers. Though I’m not sure who I would have subbed out, it would have been nice to see Tarantino nominated for his most visually inventive movie to date, which incorporated all of his loves into one awesome hodgepodge.
By now, this preference is common knowledge. Certainly not his funniest jlo oscars performance that one will be debated for all eternity Lost in Translation is Bill Murray’s jlo oscars finest jlo oscars hour as a capital-A Actor. There’s so much pain amidst all the cultural humor. His performance is basically a template for any comedian doing melancholy work. I’d prefer that to Sean Penn’s rage-filled tough guy. Javier Bardem, a few years away from his first and only win, deserved jlo oscars a nomination as an unemployed dock worker in Spain’s official submission from 2002. He’s so good and so natural, miles away from his great but offbeat work in No Country for Old Men and Skyfall , that it’s easy to see why he won his third Goya (Spain’s Oscar), on his way to picking up two more.
Every other choice would have been more interesting, especially Keisha Castle-Hughes, jlo oscars but Theron’s giving the performance of a lifetime, throwing it all into a portrayal of a serial killer that’s at once terrifying but also deeply human. jlo oscars She will probably never be nominated a
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